Bent - Remain In Connection mp3 album
No Connection are an English classic rock music group based in Reading, Berkshire. No Connection were formed in May 1997 in Reading, Berkshire by Graham Young (lead vocals, guitar), Simon Whenlock (bass, backing vocals), and Jon Hill (drums, backing vocals).
Is Mothership Connection the best album by Parliament? BestEverAlbums. com brings together thousands of 'greatest ever album' charts and calculates an overall ranking. This album At A Glance. Mothership Connection by Parliament (1975) Overall rank: 681st.
Album Name Remain in Light. 4. Once in a Lifetime. 6. Seen and Not Seen.
Remain in Light was named the best album of 1980 by Sounds, ahead of The Skids' The Absolute Game, and by Melody Maker, while The New York Times included it in its unnumbered shortlist of the 10 best records issued that year. It figured highly in other end-of-year best album lists, notably at number two, behind The.
Mothership Connection is the fourth album by American funk band Parliament, released on December 15, 1975 on Casablanca Records. This concept album of P-Funk mythology is usually rated as one of Parliament's best. Mothership Connection was the first P-Funk album to feature Maceo Parker and Fred Wesley, who had left The . s, James Brown's backing band. Mothership Connection became Parliament's first album to be certified gold and later platinum
Album · 1980 · 8 Songs. The world moves on a woman’s hips, David Byrne yelps on The Great Curve, summing up where his band is coming from on their genre-bending fourth album. You can hear them overhaul their nervy post-punk sound under the influence of African polyrhythms-and fearless producer Brian Eno-on Once In a Lifetime and Crosseyed and Painless, adopting trance-like beats and babbling loops of guitar/keyboards while Byrne chants free-associative lyrics that somehow make perfect sense. Remain In Light Talking Heads.
On Remain in Light, rhythm takes over. Each of the eight compositions adheres to a single guitar-drum riff repeated endlessly, creating what funk musicians commonly refer to as a groove. Though the tunes take their time (side one has just three cuts), nobody steps out to solo here
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