The Miles Davis Quintet - Jazz Gallery mp3 album
- Performer: The Miles Davis Quintet
- Title: Jazz Gallery
- Genre: Jazz
- Formats: ASF TTA XM AU DXD AAC ASF
- Style: Bop, Cool Jazz
- MP3 album: 1922 mb
- FLAC album: 1735 mb
- Rating: 4.5/5
- Votes: 988
Miles Davis Quintet (PRLP 185) is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The album title is not to be confused with either of Davis' later Great Quintets. The three tracks on this LP, and one other, were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on April 3, 1954. This was the first session for Prestige Davis recorded at Gelder's home studio, as he would all his remaining sessions for the label.
Tenor Saxophone – John Coltrane. Trumpet – Miles Davis. Other Versions (4 of 4) View All. Cat. 429603 BE, 429 603 BE. The Miles Davis Quintet. Jazz Gallery (7", Mono).
This versions has NCB on side 2 label only and "Made in Holland" in the labels periphery.
Album · 2016 · 23 Songs. Freedom Jazz Dance (Session Reel). 2. Freedom Jazz Dance (Master Take).
The Miles Davis Quintet had just finished recording its fourth album Nefertiti before embarking on an all-star jazz tour billed as The Newport Jazz Festival in Europe. The track No Blues was recorded during the group’s first stop in Belgium on October 28, 1967, with Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass, Tony Williams on drums and Miles on trumpet. So the environment is completely different. All five concerts were recorded by state-owned radio and television stations, and feature previously unreleased or first-ever authorized released material. Executive producer Erin Davis, son of the late Miles Davis, says his father put his musical instincts to work when he assembled the Quintet. When you go back it’s hard to imagine this being one band. It seems like something that could happen for one show or something, but this was a band that was together for years.
The New Miles Davis Quintet made its first visit to the recording studios on November 16, 1955. By October 26, 1956, when they made their last session for Prestige, Davis had signed with recording giant Columbia, he had featured the most influential band in all of jazz (which would spawn the most charismatic musician of the '60s), and was well on his way toward international stardom
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While Davis would begin to write more towards the end of the decade, he remained essentially an interpreter of others' material until the mid-1960s, when the extraordinary writing skills of saxophonist Wayne Shorter and pianist Herbie Hancock would come into play with the formation of his second quintet. On medium tempo tunes like "It Could Happen To You," "Surrey With The Fringe On Top" and especially "Ahmad's Blues"-written by Ahmad Jamal, a strong influence on Davis for his own economical style-Davis was on comfortable middle ground. It was this middle ground that, in fact, differentiated Davis' quintet. With hard bop in full swing at the time with artists like drummer Art Blakey and his Jazz Messengers, Davis' quintet provided an easier-on-the-ears but no less ng approach.