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Maldita Compa(ñía) - Baphomet, La Ley Del Cuervo mp3 album

  • Performer: Maldita Compa(ñía)
  • Title: Baphomet, La Ley Del Cuervo
  • Genre: Electronic
  • Released: 2010
  • Style: Experimental, Drone, Noise
  • MP3 album: 1897 mb
  • FLAC album: 1405 mb
  • Rating: 4.1/5
  • Votes: 600
Maldita Compa(ñía) - Baphomet, La Ley Del Cuervo mp3 album

Cual ave fénix, Maldita Compa(ñía) renace de sus cenizas de la mano de uno de los grandes gurús del siglo XX: Aleister Crowley. Sus excesos de todo tipo y sus flirteos con el satanismo (y los espíritus del más allá) dieron mala fama a este mal llamado mago negro, autor de The Book of the Law, un antiguo compendio de leyes que le fueron dictadas por un antiguo demonio egipcio, el cual le otorgó el poder oscuro a este provocador poeta

Maldita Compa(ñía) + Boreas (4) - Voynich (Album). 024. Maldita Compa(ñía). Baphomet, La Ley Del Cuervo ‎(3xFile, MP3, 320). 025.

where your soul cannot be saved Deep inside the mystic fog a dead man rises from his grave They still know me in the hood, as the one who is not named Standing by the fence I make a oath, and then I sacrifice Baphomet rise from your throne, I sit here and give I you life Blood is dripping from the ceiling

La Posada Maldita – Avda  . CommunitySee all. 7,157 people like this. 7,165 people follow this.

For the album by Akercocke, see The Goat of Mendes. Not to be confused with Bahamut. Deity the Knights Templar were accused of worshiping. The 19th-century image of a Sabbatic Goat, created by Eliphas Levi. Baphomet appears in that guise as a character in James Blish's The Day After Judgment. Christian evangelist Jack T. Chick claimed that Baphomet is a demon worshipped by Freemasons, a claim that apparently originated with the Taxil hoax  . The other chapters are De la ley nova, De caritat, and De iustitia.

Más Allá de la Ley. 5:28.

Libertad is La Ley's seventh studio album. It was inspired primarily by the September 11 attacks. The album contains the hits "Ámate y Sálvate", "Más allá" and "Mi Ley". The album's main theme is based on the September 11 attacks and its subsequent effects. Beto Cuevas also used different societal factors as themes for the songs.


1 El Origen 10:14
2 La Posesión 13:52
3 El Rito 8:21


  • Acoustic Guitar, Percussion – Pablo Alles Romero
  • Cello – Jesús Romero
  • Electric Guitar, Electronics [iPod] – Antonio Murga
  • Synthesizer, Recorded By, Mixed By, Mastered By, Artwork – Ernesto Ojeda
  • Voice – Jesús Romero, Pablo Alles Romero

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