Suede - The Blue Hour mp3 album
The Blue Hour is the eighth studio album by English alternative rock band Suede. The album was released on 21 September 2018. It was the first Suede album since A New Morning not to be produced by longtime producer Ed Buller, and the first to be produced by Alan Moulder. The concept for The Blue Hour began in May 2016, when lead singer Brett Anderson, guitarist Richard Oakes and keyboardist Neil Codling wrote the song "Mistress"; a song about a boy's realisation of his father's affair.
The Blue Hour is the eighth studio album by an English britpop band Suede. Produced by Alan Moulder and the band itself, the record is the final part of the triptych of albums since Suede reformed and released 2013’s Bloodsports. The Blue Hour features a choir, a spoken word, as well as the City of Prague Philharmonic Orchestra. Alongside with the announcement, the first album trailer was released. Brett Anderson, the lead singer, told NME about the songwriting process: It took about a year to write. The album was as much a critical success as its two predecessors, and, in the UK, it was their most commercially successful outing since Head Music in 1999, peaking at in the albums chart. The Blue Hour Q&A. What have the artist said about the album? Suede: The Blue Hour is the time of day when the light is fading and night is closing in.
Screams and chants mingle beneath chorales summoned forth from The Omen and piano refrains compelled by the power of Christ straight. On Villagers’ fourth album, Conor O’Brien ponders faith, art, and Ada Lovelace. Written, produced and mixed primarily by O’Brien from his Dublin studio, it’s a drastic switch-up from 2015’s Ivor Novello award-winning Darling Arithmetic. Where that record offered quiet and mostly acoustic introspection – the bare bones of the song – The Art of Pretending to Swim is full-bodied and full of flavour.
Suede on The Blue Hour come through with their most dramatic, cinematic and darkest album in years. If you’re a fan of Suede and know their material, then you should know what to expect from them. But they just sound so full of energy here, easily more so than their last few albums, which is fantastic. The drama is here, and tons of gigantic strings and emotional performances. Now, truth be told some of these tracks don’t come as easy to Suede as they once did, and.
Having established that their 21st century reunion was not a passing thing, Suede decided to stretch themselves with The Blue Hour, the third record they've made since reuniting in 2013. Unlike that year's Bloodsports or its 2016 sequel Night Thoughts, The Blue Hour isn't produced by Ed Buller, who helmed their three big records of the 1990s (Suede, Dog Man Star, Coming Up), it's the work of Alan Moulder, the veteran producer whose fingerprints were all over alternative rock of the '90s that had little to. do with Brit-pop.
You sense that ‘The Blue Hour’ is Suede giving themselves the grandest of curtain calls on their current era. At a sprawling 14 tracks, it may contain a few flourishes too many – and many may find themselves weighed down by the opulence. However, it’s still littered with the usual calling cards to fall in love with. The aching ‘Life Is Golden’ and almighty ‘Flytipping’ shimmer among their finest and more bittersweet ballads, while ‘Wastelands’ and ‘Cold Hands’ both swagger with Suede’s usual elegiac arena pop prowess.
Matrix, Runout (Side A runout): 0190295642679 BI30179 - 01 A1. Matrix, Runout (Side B runout): 0190295642679 BI30179 - 01 B1. Matrix, Runout (Side C runout): 0190295642679 BI30179 - 02 C1.
Cold Hands is fabulous glitter stomp Suede, more Coming Up era guitar feeling, it’s an anti-anthem blast, ‘I followed you and now I want to curl up and die’ is possibly the album’s bleakest moment and its most helpless track. And it runs into Life Is Golden, an absolute killer anthem, a song to Brett’s children (‘The same blood runs through your veins’) that rises above being mawkish by simply being amazing. My understanding of the loose concept, The Blue Hour refers to a particular time in life, adulthood just before middle age, when you can appreciate childhood through your offspring more than you ever did when you were a child yourself. It’s the pre-dusk time of day and life, it’s the area between suburbia and the countryside. The fly tipping and trash that covers the wastelands are the marks we as individuals leave on the planet and on our descendants. That’s my take, my interpretation.
|4||Beyond The Outskirts|
|7||Life Is Golden|
|10||Don't Be Afraid If Nobody Loves You|
|12||All The Wild Places|
- Phonographic Copyright (p) – Suede Ltd.
- Copyright (c) – Suede Ltd.
- Licensed To – Warner Music UK Ltd.
NotesPVC wallet with custom picture/tracklisting insert.
|0190295642709, wea 502, WEA 502||Suede||The Blue Hour (CD, Album)||Warner Music UK, Warner Music UK, Warner Music UK||0190295642709, wea 502, WEA 502||Europe||2018|
|0190295642709, WEA 502||Suede||The Blue Hour (CD, Album, Unofficial)||Warner Music UK , Warner Music UK||0190295642709, WEA 502||Russia||2018|
|WPCR-18064, PCS-940||Suede||The Blue Hour (CD, Album + CD, Ltd, Promo, 1st)||Warner Music UK, Warner Music UK||WPCR-18064, PCS-940||Japan||2018|
|WEA 503||Suede||The Blue Hour (2xLP, Album)||Warner Music UK||WEA 503||Europe||2018|
|WPCR-18064||Suede||The Blue Hour (CD, Album)||Warner Music UK||WPCR-18064||Japan||2018|