Rögnvaldur Sigurjónsson - Rögnvaldur Sigurjónsson At The Piano mp3 album
- Performer: Rögnvaldur Sigurjónsson
- Title: Rögnvaldur Sigurjónsson At The Piano
- Genre: Classical
- Formats: TTA MP3 ASF VQF TTA AUD MPC
- Style: Classical
- MP3 album: 1982 mb
- FLAC album: 1947 mb
- Rating: 4.2/5
- Votes: 426
He studied piano with Rögnvaldur Sigurjonsson at the Reykjavík College of Music and took his diploma in 1957.
Rögnvaldur Sigurjónsson at the Piano. Rögnvaldur Sigurjónsson. 1. Album + Compilation.
He studied piano with Rögnvaldur Sigurjónsson at the Reykjavík College of Music and took his diploma in 1957. He went on to study at the State Academy in Cologne, Germany, from 1959, studying composition with Günter Raphael and Rudolf Petzold, instrumentation with Bernd Alois Zimmermann, conducting with Wolfgang von der Nahmer and piano with Hermann Pillney and Hans Otto Schmidt. He also took private lessons with Gottfried Michael Koenig.
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Rúnar Már Sigurjónsson (full name Rúnar Már Sigurlaugarson Sigurjónsson, though the matronymic 'Sigurlaugarson' is usually shortened to just ". ) (born 18 June 1990) is an Icelandic footballer who plays as a midfielder for Astana. He made his debut for the Icelandic national team against Andorra in late 2012.
Vovka Ashkenazy, who is of Russian and Icelandic parentage, began piano lessons at the age of six with Rögnvaldur Sigurjónsson in Reykjavík, where his family lived at the time. Ten years later he went to England to study with Sulamita Aronovsky at the Royal Northern College of Music in Manchester. He also benefitted from occasional study sessions with pianists such as Leon Fleisher and Peter Frankl. Vovka Ashkenazy made his debut in London at the Barbican Centre in 1983 with the London Symphony Orchestra under Richard Hickox, performing Tchaikovsky's First Piano Concerto.
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|Bentzon-Sonata No. 3, Op. 44|
|A1||First Movement: Allegro, Sempre Fluente E Espressivo|
|A2||Second Movement: Presto Molto Secco-Tempo Di Presto|
|A3||Third Movement: Intermezzo (Largo)-Allegro, Ma Non Troppo|
|B1||Aufschwung (From"Fantasiestucke", Op. 12, No. 2)|
|B2||Warum (From"Fantasiestucke", Op. 12, No. 3)|
|B3||Traumeswirren (From"Fantasiestucke", Op. 12, No. 7)|
|B4||Toccata, Op. 7|