Nick Mott - Here Begins The Great Destroyer mp3 album
Перевод текста песни The Great Destroyer исполнителя (группы) Nine Inch Nails. Nick Cave & The Bad Seeds. Naughty Boy. Nelly Furtado.
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The Great Destroyer is the seventh studio album by American indie rock band Low. It was released on January 25, 2005 as their first recording on Sub Pop Records. California", a song about Sparhawk's mother, was released as the album's first single, backed with a demo of "Cue the Strings". A remix EP of "Monkey", entitled "Tonight the Monkeys Die", soon followed. Music videos were created for both. The title of the album (as well as the song "Silver Rider") is taken from the story within the album art.
Modifier l'album Reporter une erreur. Liste des groupes Death Grind Gadget The Great Destroyer. ajouter les paroles de l'album. Ajouter un fichier audio. Nom du groupe Gadget. 8. The 02666 Heritage. 9. The Great Destroyer. 10. Down and Out. 01:53. 11. In the Name of Suffering. 12. Lost on a Straight Path. Rock ind�pendant Low. Liste des groupes Rock indépendant Low The Great Destroyer. Nom du groupe Low. Nom de l'album The Great Destroyer. Date de parution Janvier 2005. Labels Rough Trade Records. Style MusicalRock indépendant. Membres possèdant cet album1.
The Destroyer is an album by electronic artist Alec Empire, his first on his own record label Digital Hardcore Recordings, released in 1996 in Europe and a revised version in 1998 in United States. Destroyer is also the name given to a series of EPs by Empire released two years before. Unlike his previous albums for Mille Plateaux, The Destroyer had a much heavier sound more akin to that of his band Atari Teenage Riot, and is considered as one of the earliest examples of a breakcore record.
Wilco‘s great leap forward was a mix of rock tradition, electronics, oddball rhythms and experimental gestures. Jeff Tweedy’s lyrics pitted hope against doubt, with all bets off. Listen here. King’s first album for the Stax label combines his hard, unflashy guitar playing with the sleek sound of the label’s house band, Booker T. and the MG’s. Hits such as Crosscut Saw and Laundromat Blues earned King a new rock & roll audience. Mott the Hoople, ‘All the Young Dudes’. Mott were a hard-rock band with a Dylan fixation until David Bowie got ahold of them. He penned the androgyne title track and had them cover Lou Reed‘s Sweet Jane. Mott would sound more soulful but never more sexy or glittery.
Before Bowie sprinkled stardust on them for their fifth album, Mott the Hoople were a British boogie band that sounded a lot like their fellow countrymen who had a thing for American R&B and blues music. Their self-titled debut album is a clumsy mix of covers ('You Really Got Me') and sloppy originals ('Rabbit Foot and Toby Time'). Rock and Roll Queen' is the one keeper. After making four albums that very few people heard, Mott the Hoople were about ready to call it quits when red-hot Bowie stepped in as the band's producer, handpicked some great songs for them to cover, encouraged their own songwriting and contributed the great 'All the Young Dudes' (see No. 1 on our list of the Top 10 Mott the Hoople. But they managed to pull it together for their final album, their toughest-sounding LP and in some ways their most ambitious. Crash Street Kidds' is noisy excess, but it's totally glorious noisy excess.
|3.||The Living Room|
|5.||Gates Of The Destroyer|
|8.||The Early Inestigators|
|10.||The First True Animals|
NotesLimited edition digipak. 300 only.
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