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Little Fyodor - Beneath The Uber-Putz mp3 album

  • Performer: Little Fyodor
  • Title: Beneath The Uber-Putz
  • Genre: Rock
  • Country: US
  • Formats: DXD AC3 AU AIFF VOC AHX MIDI
  • Released: 1988
  • Style: Garage Rock, New Wave, Parody
  • MP3 album: 1609 mb
  • FLAC album: 1372 mb
  • Rating: 4.3/5
  • Votes: 953
Little Fyodor - Beneath The Uber-Putz mp3 album

Track Name: You Give Me Hard-On. Originally released on the Little Fyodor LP, Beneath the Uber-Putz. If you like Little Fyodor, you may also like: Gaoler by FE. AT. featured on Bandcamp Weekly May 30, 2017.

Little Fyodor is the performance name of Dave Lichtenberg, an underground punk/garage musician from Denver, Colorado, who has been on the scene for two decades. He originally performed in the band Walls of Genius, and then went on to become a solo act (now with a full band, but still carrying the name Little Fyodor). Dance Of The Salted Slug -1994, Elephant 6 Recording Co. Idiots Are Closer To God - 1990. Beneath The Uber-Putz - 1988. Slither, Sloth - 1985/1986.

Beneath The Uber-Putz ‎(LP). Small Tools Tradition. Beneath The Uber-Putz ‎(Cass).

WMG (от лица компании "Roadracer Records"); LatinAutor - UMPG, LatinAutor, UMPG Publishing, UBEM, CMRRA, ASCAP" и другие авторские общества (14).

Singer: Little Fyodor. Title: Beneath The Uber-Putz. Label: Small Tools Tradition ‎– STT-13 Type: Vinyl, LP Country: US Date of released: 1988 Category: Rock Style: Garage Rock, New Wave, Parody.

Fyodor Sologub (Russian: Фёдор Сологу́б, born Fyodor Kuzmich Teternikov, Russian: Фёдор Кузьми́ч Тете́рников, also known as Theodor Sologub; 1 March 1863 – 5 December 1927) was a Russian Symbolist poet, novelist, playwright and essayist. He was the first writer to introduce the morbid, pessimistic elements characteristic of European fin de siècle literature and philosophy into Russian prose.

4 years ago 4 years ago. Uber. What do you do? The UBER Song - Biggie Babylon feat. and produced by Josh Franks.

49 Fee. Uber Eats pop-up, crafted by Yunshang Rice Noodle House (Parent). Caribbean, Seafood, Latin American. 15–25 min. (500+). Vegetarian, Vegan, Healthy.

All the great songs and lyrics from the "The Uber Song" album ont he Web's largest and most authoritative lyrics resource.

Tracklist

Side Uber
I Don't Care 1:20
Small Talk 1:26
Nobody Loves Me 1:53
Nobody Wants To Play With Me 3:20
Pity Me 2:02
You Give Me Hardon 1:21
Like An Earthquake 2:17
Useless Shit 1:43
Won't Somebody Fill The Void 3:21
Side Putz
I Can't Relax 6:03
I Go To Parties 2:05
You Will Die 2:04
Maybe Maybe Not 1:44
I Wanna Be The Buddha 2:19
Nothing To Say 1:15
Tried / Fuck It 4:01

Versions

Category Artist Title (Format) Label Category Country Year
STT-13 Little Fyodor Beneath The Uber-Putz ‎(LP) Small Tools Tradition STT-13 US 1988
STT-13 Little Fyodor Beneath The Uber-Putz ‎(Cass) Small Tools Tradition STT-13 US 1988
none Little Fyodor Beneath The Uber-Putz ‎(Cass) Not On Label none US Unknown

Reviews about Little Fyodor - Beneath The Uber-Putz (1):
KiddenDan
LITTLE FYODOR has created a kind of myth surrounding himself which falls somewhere in the area between the Cretin Gabba Gabba of THE RAMONES, the pathetique of JILTED JOHN and mebbe even the anti-hero posturings of JOHN THE POSTMAN. So what might be the sum result of this self-invention? His style seems filtered through the geeky anglepoise contortions of EMO PHILLIPS - silly voices and deceptively simple songs which, when let loose and given their freedom can impress way beyond expectations - fer instance "Useless Shit" sounds strangely like the freaks who wandered through CHROME songs suddenly learning to play the very songs in which they live! There's a stripped-down Punk-era feel to many of these songs, a rough readiness hiding clever compositions and some decent musicianship. F'r instance the (comparitable) epic "I Can't Relax" sounds very much like the music PEELY played at the end of the Seventies / early Eighties. The musicianship - sharp metally guitar and lightweight drumming form skeletal bridges for FYODOR's distinctive out-of-control voice. Reminds me here of DALEK I, there of I JOG AND THE TRACKSUITS, and a couple of dozen other such people. Surprisingly tight and catchy, it's coloured here and there by organ, sax and other instruments, including bowed saw! As the titles suggest, there's reason to slap a Parental Guidance sticker on the album's cover, but overall this is an upbeat, good-natured journey through what I take to be a fictional world of Outsider / Loser attitudes and perspective. Originally reviewed for Metamorphic Journeyman.

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