Weyes Blood - Titanic Rising mp3 album

Titanic Rising by Weyes Blood, released 05 April 2019 1. A Lot's Gonna Change 2. Andromeda 3. Everyday 4. Something to Believe 5. Titanic Rising 6. Movies 7. Mirror Forever 8. Wild Time 9. Picture Me Better 10. Nearer to Thee The phantom zone, the parallax, the upside down-there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood (. Natalie Mering) has, too, designed her own universe to soulfully navigate life’s mysteries.

Midway through the album, Titanic Rising moves into the murky realm of the subconscious through its instrumental title track, like a sunbeam finding its way to the ocean floor. On the subsequent Movies, Mering sounds as if she is singing from the album cover’s sunken bedroom, her voice wobbly and distended. The song’s title alludes to the hymn that the Titanic’s house band supposedly played as the ship sank. Here, as it was then, Weyes Blood can’t help but offer one last breath of hope as she gazes towards an uncertain future.

On ‘Titanic Rising’, her fourth release under the Weyes Blood moniker, the LA-based musician has drifted further away from the psych-folk and ’70s Laurel Canyon of her early years and towards soft rock. View All. ThrowBackGmac. 100. I've been pretty disgruntled the past couple of days. I was given an opportunity with this album journalists and critics dream of. I got to see Weyes Blood live on her first ever show for her new album. Strummers in Fresno, CA. 4/1/19) It was a bar show too so the intamacy in the room was on fire.

A strong contender for album of the year. Titanic Rising is remarkable for its breadth, effortlessly shifting from the 90-second ambient wash of the title track to Picture Me Better’s homespun take on the cosmic cowboyisms of Kacey Musgraves.

Weyes Blood's album 'Titanic Rising' also tackles climate change and the devastating toll it's taken on the earth. Kathryn Vetter Miller. When Natalie Mering was 12 years old, she stopped watching movies. The singer-songwriter, who performs under the name Weyes Blood (pronounced wise blood ), didn’t watch a single film for three years. I was like, ‘This is full of shit,' the 31-year-old admits. ‘This is just setting everybody up for disappointment. There’s no real value. It’s just something to be consumed, created by sexist pigs. This is your fourth album. How do you think you’ve grown as a songwriter? I’ve gotten a little bit stronger at painting pictures using more complex harmonies and lyrics. Before, my songs were a little folkier, and maybe a little bit more open for interpretation. And now I think the words are very literal, and the chord changes paint that picture of what the words are supposed to mean

Weyes Blood, Titanic Rising ★★★★★ If you want to know how hard it is to categorise Titanic Rising – the enthralling fourth album from Weyes Blood – look no further than the American musician’s own attempt to do so. It is, she says, The Kinks meet the Second World War, or Bob Seger meets Enya. 7/43 Ariana Grande – Thank U, Next. The album is packed with personal confessions for the fans – Arianators – to pick over. It lacks a centrepiece to match the arresting depth and space of Sweetener’s God Is A Woman, but Grande handles its shifting moods and cast of producers (including pop machines Max Martin and Tommy Brown) with engaging class and momentum.

The road that songwriter Natalie Mering and her shapeshifting project Weyes Blood walked was a long and twisting route, leading from weird experimental early days to the high-definition grandeur of fourth album Titanic Rising. Every step of the journey brought Mering's gifts for songcraft into sharper focus, with 2014's achingly beautiful The Innocents losing some of its hush with the soft rock lushness of 2016's Front Row Seat to Earth