Kenny Burrell And The Jazz Guitar Band - Pieces Of Blue And The Blues mp3 album
Midnight Blue is a 1963 album by Jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note
Kenneth Earl Burrell (born July 31, 1931) is an American jazz guitarist known for his work on the Blue Note label. His collaborations with Jimmy Smith produced the 1965 Billboard Top Twenty hit album Organ Grinder Swing. He has cited jazz guitarists Charlie Christian and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters. Burrell is a professor and Director of Jazz Studies at the UCLA Herb Alpert School of Music.
Learn how to play jazz guitar in the style of Kenny Burrell by studying his licks and solos. Kenny Burrell’s most popular record is Midnight Blue with the Latin-flavored hit Chitlins Con Carne, later covered by blues giant Stevie Ray Vaughan. When studying Burrell’s soloing concepts there are a number of important areas that you can explore, and two of the most characteristic of his playing will be covered in this lesson, blues lines and major key ii V Is.
When I'm in the mood for jazz guitar, I have two go-to albums: Kenny Burrell's Midnight Blue and Grant Green's Idle Moments. It always surprises me. Growing up in the 1960s and '70s, I was a big fan of hard and fast rock guitars. Who wasn't? Jimi Hendrix, Jimmy Page, Keith Richards, Pete Townsend. One thing led to another. Wes Montgomery's Boss Guitar. Stanley Jordan's amazing "Eleanor Rigby. Anything by John McLaughlin. And finally: Kenny Burrell and Grant Green. Is there a recording as blue, as gentle, as soulful and as emotional as Green's "Idle Moments"? For 15 minutes, the album's opening track of the same name takes you to a different place. It's draggy and slow, and that's the whole point.
Kenny Burrell - a man with the ability to convey differing moods like few other guitarists. Kenny Burrell - Verve Records. Yesterday at 01:09 ·. John Coltrane’s.
Check out Kenny Burrell's gear and equipment including the Gibson ES-175, Gibson Super 400 CES, and D'Angelico New Yorker. The Gibson Super 400 has been your trademark guitar for many years. When did you first begin playing one, and what attracted you?" It was probably in the late 1960s.
The Jazz Guitar Band's interplay is definitely on the polite side, but it also provides Mr. Burrell and his fellow guitarists, Bobby Broom and Rodney Jones, with enough challenges to keep things moving. The rhythm section of Dave Jackson, bass, and Victor Lewis, drums, provides momentum as well. On Thursday, a set evenly divided between electric and acoustic guitars handsomely displayed the disparate virtues of Mr. Burrell, Mr. Broom, and Mr. Jones
Renews automatically. This classic album is a must have for all jazz lovers and serious guitar players. I've enjoyed this album in digital formats for quite some time, but felt it needed to be added to my vinyl collection as well. I couldn't be more pleased with the sound quality. Others have said that theirs was mono or part mono part stereo. Kenny Burrell is a master and this is, in my opinion, some if his finest work. 9 people found this helpful.
Kenny Burrell Blues – The First Four Bars. The first four bars of a jazz blues progression give us four bars of a dominant 7th chord to improvise over. Besides using arpeggios and scales, a cool way in which you can solo over this part of the progression and retain a good bluesy feel is to use the major pentatonic scale which is shown below. Bb Major Pentatonic Formula: R, 2nd, 3rd, 5th, 6th. Bb Major Pentatonic Scale Notes: Bb, C, D, F, G. Here’s a typical laid back blues based type of jazz phrase that uses the major pentatonic scale and a chromatic approach note to the third. Example 1. Jazz guitarists frequently use this scale with a chromatic note below the third of the chord and a chromatic note between the fourth and fifth degrees of the scale. The following example shows how this looks on the fretboard and how it can be used to create a phrase.
|A1||Confessin' The Blues||9:55|
|A3||Blue Days, Blue Dreams||7:56|
|B4||No Hype Blues||5:21|
- Record Company – Capitol Records, Inc.
- Recorded At – Village Vanguard
- Acoustic Guitar – Bobby Broom, Dave Jackson , Kenny Burrell, Rodney Jones
- Arranged By – Kenny Burrell
- Art Direction – Carol Friedman
- Design – Condak Design
- Drums – Kenny Washington
- Mastered By – Bob Ludwig
- Photography – Carol Friedman
- Producer – Helen Keane
NotesRecorded live October 24 & 25, 1986
XDR Expanded Dynamic Range
Dolby HX Pro
Barcode and Other Identifiers
- Barcode: 0 7777-90260-4 3
|CDP 7 90260 2||Kenny Burrell And The Jazz Guitar Band||Pieces Of Blue And The Blues (CD, Album)||Blue Note||CDP 7 90260 2||US||1988|
|BN-26421||Kenny Burrell And The Jazz Guitar Band||Pieces Of Blue And The Blues (LP, Album)||Blue Note||BN-26421||Venezuela||1988|
|B1-90260||Kenny Burrell And The Jazz Guitar Band||Pieces Of Blue And The Blues (LP, Album)||Blue Note||B1-90260||US||1988|