» » Bach-Ensemble, Helmuth Rilling - BWV 125 Mit Fried Und Freud Ich Fahr Dahin / BWV 156 Ich Steh Mit Einem Fuss Im Grabe

Bach-Ensemble, Helmuth Rilling - BWV 125 Mit Fried Und Freud Ich Fahr Dahin / BWV 156 Ich Steh Mit Einem Fuss Im Grabe mp3 album

  • Performer: Bach-Ensemble
  • Title: BWV 125 Mit Fried Und Freud Ich Fahr Dahin / BWV 156 Ich Steh Mit Einem Fuss Im Grabe
  • Genre: Classical
  • Formats: MP2 TTA APE AUD AAC MOD AU
  • Released: 1981
  • Style: Baroque
  • MP3 album: 1988 mb
  • FLAC album: 1897 mb
  • Rating: 4.7/5
  • Votes: 357
Bach-Ensemble, Helmuth Rilling - BWV 125 Mit Fried Und Freud Ich Fahr Dahin / BWV 156 Ich Steh Mit Einem Fuss Im Grabe mp3 album

Ich steh mit einem Fuß im Grabe (I am standing with one foot in the grave), BWV 156, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the third Sunday after Epiphany and first performed it on 23 January 1729. The cantata is well known for its opening sinfonia for orchestra and oboe solo. BWV 156 was Bach's fourth and last cantata for the Third Sunday after Epiphany.

Complete your Johann Sebastian Bach, Figuralchor Der Gedächtniskirche Stuttgart, Bachcollegium Stuttgart, Helmuth Rilling collection. Cantata No. 125 "Mit Fried und Freud ich fahr dahin" Cantata for the Festival of the Purification of Mary.

The opening chorus, "Mit Fried und Freud ich fahr dahin in Gottes Willen" (With peace and joy I depart in God's will), begins with a concertante ritornello, in which the flute and the oboe play opposed to the strings. A motif in triplets rises a fifth, related to the first interval of the chorale tune. The soprano sings the cantus firmus in Phrygian mode in long notes. The lower voices participate in the instrumental motifs for lines 1, 2, 3 and 5, but lines 4 and 6 are treated differently. Cantata BWV 125 Mit Fried und Freud ich fahr dahin". Retrieved 2 February 2016. Mit Fried und Freud fahr ich dahin BWV 125; BC A 168, Chorale cantata (Purification of the Virgin Mary (2 February)) Leipzig University. BWV 125 Mit Fried und Freud ich fahr dahin: English translation, University of Vermont.

Johann Sebastian Bach composed the cantata Mit Fried und Freud ich fahr dahin (; With peace and joy I depart), BWV 125, for use in a Lutheran service. He composed this chorale cantata in Leipzig in 1725 for the feast for the Purification of Mary which is celebrated on 2 February and is also known as Candlemas  . Bach structured the cantata in six movements and scored it for three vocal soloists, a four-part choir and a Baroque instrumental ensemble of trumpet, oboe, strings and continuo. The first movement is a chorale fantasia dominated by the trumpet.

Mit Fried und Freud ich fahr dahin, BWV 125: No. 2, Ich will auch mit gebrochnen Augen by Johann Sebastian Bach is in the key of B. It should be played at a tempo of 88 BPM. This track was released on 2019-02-08. Key of B. Jesu, Joy of Man's Desiring - Violin & Piano. Johann Sebastian Bach. Jesu, Joy of Man's Desiring - Cello & Piano.

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Ich Steh Mit Einem Fuss Im Grabe, BWV 156: Sinfonia. By Johann Sebastian Bach - Helmuth Rilling, Bach Ensemble, The & Günther Passin. 4. Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia. By Johann Sebastian Bach - Helmuth Rilling, Stuttgart Bach Collegium & Otto Winter. 5. Violin Concerto In G Major, Op. 4, No. 12, RV 298: La Stravaganza: Violin Concerto In G Major, Op. 12, RV 298: II. Largo.

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Tracklist Hide Credits

A1 Mit Fried Und Freud Ich Fahr Dahin (Kantate BWV 125 Zu Mariae Reinigung Für Alt, Tenor, Bass, Vierstimmigen Chor, Flöte, Oboe, Oboe D'Amore, Horn, Streicher Und Generalbass)
Alto Vocals – Marga Hoeffgen*Bass Vocals – Wolfgang SchöneBassoon – Kurt EtzoldCello [Continuocello] – Jürgen WolfChoir – Figuralchor Der Gedächtniskirche StuttgartContrabass – Manfred GräserEnsemble – Bach-Collegium Stuttgart*, Gächinger Kantorei StuttgartFlute – Peter-Lukas GrafHarpsichord, Organ – Martha SchusterHorn – Johannes RitzkowskyOboe – Günther Passin, Hanspeter WeberOboe d'Amore – Hanspeter WeberOrgan – Joachim EichhornTenor Vocals – Kurt EquiluzViolin – Albert Boesen, Werner Keltsch
24:24
B1 Ich Steh Mit Einem Fuss Im Grabe (Kantate BWV 156 Zum 3. Sonntag Nach Epiphanias Für Alt, Tenor, Bass, Vierstimmigen Chor, Oboe, Streicher Und Generalbass)
Alto Vocals – Hildegard LaurichBass Vocals – Wolfgang SchöneBassoon – Kurt EtzoldCello – Jürgen WolfChoir – Figuralchor Der Gedächtniskirche StuttgartContrabass – Manfred GräserEnsemble – Bach-Collegium Stuttgart*Harpsichord, Organ – Martha SchusterOboe – Günther Passin, Otto WeberTenor Vocals – Kurt EquiluzViolin – Werner Keltsch
17:09

Companies, etc.

  • Phonographic Copyright (p) – Hänssler Verlag
  • Copyright (c) – Hänssler Verlag
  • Recorded At – Gedächtniskirche, Stuttgart

Credits

  • Composed By – Johann Sebastian Bach
  • Conductor – Helmuth Rilling
  • Recorded By – Sonopress Tontechnik, Gütersloh
  • Recording Supervisor – Wolfram Wehnert
  • Recording Supervisor [Aufnahmeleitung] – Richard Hauck

Notes

Recorded in March/April 1973
Total Time: 41'33''

Barcode and Other Identifiers

  • Label Code: LC 6047


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